Wired & Wireless Microphone Bangladesh, Large Diaphragm Condenser Mics. Small Diaphragm Condenser Mics. Dynamic Mics. Bass Mics. Ribbon Mics. Multi-Pattern Mics. USB Mics. Boundary Mics. Microphones are critical to making live sound and recording projects successful. They can be used for presentations, musical performances, interviews, vlogging, and many other applications. Determining which microphone is right for you depends on sensitivity, frequency response, directionality, and the ability to exclude unwanted sound and noise.

Different Types of Microphones:

Dynamic
A dynamic microphone is a great all-around solution for many recording and live sound applications. It’s robust with a diaphragm connected to a coil inside a magnet. This vibrates to create an electrical current that captures loud sounds without distortion.

Condenser
Very popular for studio recording, a condenser mic has a vibrating capacitor, causing variation to an electrical current from a battery or power source. This type has a good frequency response and is sensitive to fine details.

Ribbon
Ribbon mics are versatile solutions for recording as well as live sound performances. One of these uses a small metal ribbon held in a magnetic field. As the ribbon vibrates, it generates a voltage. This model is very sensitive and produces good, clean sound.

Wireless
In short, wireless microphones are convenient, easily transportable, and don’t require cumbersome cables. This makes them easy to pass around, and allows performers to move freely about the stage.

Understanding Polar Patterns:

Each mic has a unique polar pattern reflecting its sensitivity to sound from different directions. The most common polar patterns are:

  • Omnidirectional: Intended for studio work, this type detects sound equally from all directions
  • Cardioid: Heart-shaped sensitivity pattern that’s ideal for performing artists, with maximum sensitivity in the direction of the microphone, and less behind
  • Bidirectional: Often used in interviews, they’re equally sensitive in front and behind Microphone Bangladesh
  • Unidirectional: Good for recording distant sound and very sensitive along its axis. Also called shotgun pattern

Choosing Live Microphones

A recording microphone for studio work needs to be sensitive and have excellent frequency response. To isolate individual performers, it’s common to use directional studio recording microphones. While a dynamic model is good for strong, loud sounds, a condenser mic has better high-frequency performance. The size of the condenser diaphragm affects its response to high frequencies, and smaller is better. Ribbon mics are generally more durable than dynamic ones, and also have better high-frequency response than condensers.

Using Microphones for Video Recording

The quality of sound has a major impact on any production, so it’s important to capture clear sound while minimizing other unwanted noise. Several types of location sound wireless microphones are available, ranging from the directional shotgun model to a stereo microphone that adds depth by identifying sound direction.

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    • 500 ohm impedance
    • Frequency Response: 50 – 15000 Hz
    • 2.2 mV/Pa sensitivity
    • Heavy duty paging microphone

    AVAILABILITY: In stock

  • ৳ 3,500

    Unidirectional Dynamic Multi Purpose Applications

    • High Output Neodymium cartridge. Rugged and reliable PA microphone with non-reflective finish.
    • Ideal for amateur artistes on stage. Recommended for speech and paging applications.
    • Supplied with quick detachable holder with 3-pin professional XLR connector & 6 mtrs. twin core shielded low noise cable.

    AVAILABILITY: In stock

  • Ahuja AWM-490VHL VHF Wireless PA Microphones

    FEATURES:
    • Compact, lightweight, Dual Channel VHF Wireless Microphone System available in 5 different frequency groups.
    • Combination of a hand-held dynamic microphone & a tie-clip condenser microphone for a wide variety of applications.
    • Internal Antenna in the Microphone and two telescopic Antennas in the Receiver for clear and distortion free reception.
    • Receiver operates on 9V DC through an AC Adaptor supplied along with the system. Each microphone operates with a 9V Dry Battery.
    • Microphone with 3-position slide switch for ‘Audio On/Mute/Off’.
    • Audio output from receiver available at OUT 1 & OUT 2 individually and as mixed output at OUT 1 + 2.

    AVAILABILITY: In stock

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